RME Audio - Live, Studio and Broadcast Solutions
RME’s UFX+ Makes Recording Live Musicians During ‘Cats’ Film Production Seamless
Ever since Victor Chaga began working in the film and TV industry in 2011, he has garnered a long list of credits in-studio music departments in Los Angeles and abroad.
Front of house engineer using MADIface XT & HDSPe MADI FX
Front of house engineer Antony King has worked with acts like Depeche Mode, Nine Inch Nails, The Cure, and Zayn.
Teach recording and music production with the Babyface Pro
Since his start at the Disk Factory, where Glen Clancy developed and ran two departments—Audio Quality Control, and Mastering and Studio Services—he has, over the years, mastered some 1,500 albums.
How to record pure natural Sound in High-Resolution
Carpe Diem Records is a German record label specializing in high-fidelity music recordings in natural spaces like churches, concert halls and historic buildings. Since 2008, over 30 recordings have been published covering mostly Early Music, Jazz and Crossover projects.
How to win the Latin Grammy Award with RME’s Fireface UCX
Recording and mixing engineer Darío Peñaloza who has worked in Venezuela for more than 30 years in the Latin American music industry.
How to “mix in a bus” with RME’s Fireface UFX
Soundesign Ltd. provides broadcast sound for radio, TV, film and music productions. To service this market they have built the Mixbus, a location sound truck designed with only two guiding principles in mind; sound quality and reliability.
Phil Greiss and the ADI-2 Pro
Internationally acclaimed composer/producer Phil Greiss recently mixed 'Mi Gente' — a song that has rocketed to the top of the charts in 20 countries and already has garnered more than 270 million views in four weeks on YouTube.
Recording shows for a Live album
Howard Heckers, FOH-Sound-engineer, Producer and Studio engineer. Working for almost 10 years for Roger Hodgson co-founder of Supertramp, touring worldwide for audiences keen to hear his music.
Producing, Engineering & Live Sound using the HDSP AES-32
Ken 'Pooch' Van Druten has been a Producer / Engineer / Live Sound Engineer for 26 years. He graduated from Berklee College of Music, Magna Cum Laude, and is the recipient of the Music Technology Division Engineering Scholar award.
Recording the renown drummer Kuniko
The recording sessions are for Kuniko's 4th coming global release from LINN Records titled Works for Bach vol.1 (tbd.).
Offsite recording with the MADiface XT
Stephen Bingen has recorded every performance of the Sacramento Choral Society & Orchestra (SCSO) for nearly 15 years as the owner of Sacramento-based Living Sound, a live sound reinforcement and location recording company.
Mixing, mastering and recording using RME's HDSPe MADI card
Since 2010, I have trusted RME interfaces at Arimaka Studios because of their impeccable digital solutions that are rock solid and great sounding.
RME Audio ensures a smooth signal flow at the 2018 Winter Olympics
For the 2018 Winter Olympics in Pyeongchang, Gearlounge – RME's official distributor in South Korea – worked closely with Sound One Music Audio Post Production.
Recording & Sound Design with the Fireface UFX
Wim Daans is one of the new breed of multifaceted technicians, blurring the lines between artistry, production and technology in a diversity of disciplines.
How to build a project studio with reference class sound
Erkan Altinok is a well-known sound editor, sounddesigner, re-recording mixer and film mixing engineer.