New M-32 Pro II Series
High-end, 32-channel 192 kHz converters with AVB or Dante
The latest Digiface AES is a professional, bus powered 14 input and 16 output channel USB 2.0 interface with 2 Mic/Line universal analog input channels and 4 analog output channels (2 XLR, one TRS phones) complementing its digital I/O section.
The subject of which data transfer protocol is most suitable for audio interfaces is an ongoing one. With computer technology in a constant state of change, it can be difficult to predict which format will be permanently adopted.
Check out the latest videos for our RME Audio TotalMix FX Beginner's Guide. Four new episodes will explain features like channel groups, adding FX, free vs. submix mode and settings for mono and stereo channels within TotalMix FX.
More Info about TotalMix FX
The virtually unlimited variety of sounds and effects combined with class-leading Interfaces from RME Audio.
Recording Magazine editor Paul Vnuk Jr, unboxes and reviews the new RME Fireface, the UCXII. Paul uses DUREC to record a jazz duo and you can watch it all happen here.
Learn about Frank Klepacki's recording setup for working faster and smarter with amazing sound quality using the RME 12Mic.
"Nashville based FOH and Monitor Engineer, David Loy has mixed for Kane Brown since stepping into the FOH role in early 2017.
Kuniko is one of the world’s leading percussion virtuosos from Japan.
Find out more about the difference between the ADI-2 Series on this page.
Find out how to setup your RME Audio Interface for Live streaming with OBS (Open Broadcaster Software) in combination with TotalMix FX.
Our telephone support hours are 10 AM to 6 PM Eastern Time, Monday through Friday. After hours and weekends, please leave a message at the number or send an email with the relevant information. RME users can also receive support at the
RME User Forum.
Phone: +1 954-626-0674
Please find your national sales specialist for a local dealer and all current product prices.